Report for 2024 at the Oxford Centre for Fantasy
From the Trustees:
2024 was about our house in Northmoor Road, both as a place for Inklings to stay during the academic year and for events.
Read more below…
Project Northmoor 2024
The charity was established with three objectives, one specific and two broader aims.
1) The specific aim, with an educational and heritage benefit to the public, was to
preserve the house Tolkien lived in when he wrote The Hobbit and The Lord of the
Rings (20 Northmoor Road) which had come on the market. This aim was always
subject to the market forces in play so we ensured that we had other equally
important but achievable objectives should that not be possible. It sold to private
buyer so we changed our focus to our other aims.
Our other two aims are educational:
2) To advance the public knowledge and appreciation of Tolkien and the other Inklings.
The Inklings was the name given to a group that met to share their writing and
encourage each other, primarily during the 1930s and 1940s. It included C.S. Lewis
and Charles Williams, among others.
3) To advance the education in the arts and crafts, including the arts of literature and
language. We do this through encouraging new creativity, particularly in the fantasy
genre, with a mind to nurturing new voices from diverse backgrounds.
OBJ 1 : 5 NORTHMOOR ROAD
To achieve our objectives, we set up a centre just down the road from Tolkien’s house. We
continue to manage the recruitment of lodgers to live at No 5 Northmoor Road, the upper
floors of which we helped renovate to make into Tolkien/Inklings-focused rental living spaces
and a communal room for fantasy-themed activities. For some of 2024, the house was at full
occupancy and the affairs were running smoothly, which was a big achievement. Project
Northmoor admin staff continued to be involved in advertising, showing and contracting the
rooms for the future terms and academic years, as well as filling short-term gaps. In order to
foster a culture of creativity and literature, we organised shared dinners, interesting talks,
and readings of Tolkien’s work and other related literature.
OBJ 2: TO ADVANCE THE KNOWLEDGE OF TOLKIEN AND THE OTHER INKLINGS
This objective is pursued by 1) producing a podcast and doing social media about Tolkien,
the Inklings, and other fantasy writers both of that time and writing currently; and 2) in-
person and online courses.
We produced 41 Mythmakers podcasts which were downloaded over 6000 times in 21
countries, predominantly the USA and UK. Always centred on fantasy writing, the podcasts
varied from direct analysis of Tolkien’s writing (poetry, letters, drafts) to other interpretations
of the Inklings work (movies, radio dramas, theatre). It also explored themes in fantasy such
as the notion of evil, romance, or mermaids and other fantasy creatures. The podcast also
invited new and diverse fantasy authors to come and discuss their writing. We had two best-
selling fantasy writers join us – Tad Williams and Samantha Shannon – plus the famous
illustrator Chris Riddell. Episodes invited experts from across the range of media and
academia, and received warm feedback from listeners. Project Northmoor also engages in a
range of social media, including Instagram and Facebook, where we now have more than
70,000 followers. We used Facebook for readathons where followers join in leading on a
response to a chapter of one of the Inklings’ books.
As for courses, we didn’t run an in-person course in 2024. We ran a twice-yearly “Novel in a
Year” course online with eight individual tutorials and eight seminars . We also ran a six-
week Fantasy Writing Course with five tutors and visiting experts in April/May 2024. These
courses form cohorts of students who often stay in touch and continue to create, though on
the whole participation in online courses is down after the high point just after the pandemic
so we are rethinking this part of our activity. As a result, we also now offer several online
courses for downloading at any time to learn at the student’s own pace. One student who did
two courses with us now has his novel - a wonderful adult fantasy novel set in Oxford during
WW2 - under consideration with David Fickling Books. Another student who did the six-week
course now has a two book deal - she was already very skilled before coming to us but we
can say we encouraged her!
OBJ 3: TO ADVANCE EDUCATION IN THE ARTS, PARTICULARLY ENCOURAGING
FANTASY
As per our goal to advance the education in the arts and crafts, including the arts of literature
and language, our main focus this year was engaging with the Oxford Story Museum in their
“Here Be Dragons” exhibition. We sent £20,000 as agreed to support this important initiative,
£10,000 of which was given in 2024. Final numbers will be available at the end of the
exhibition (which runs until summer 2025) but the dragon exhibition has been open to the
100,000 visitors the Story Museum gets on average each year. As for ticketed events, in
2024 there were 20 special events with 970 participants. Notable was an event with
Cressida Cowell (bestselling author of How to Train Your Dragon and many other books for
children) that drew large crowds and helped promote Oxford Centre for Fantasy. We were
able to take aspiring writers to meet her in advance of the session. Another highlight was the
Professor John Holmes Tolkien lecture, recreating a lecture on dragons given by Tolkien in
1938.
Also important to note that 2023’s charitable support to Light From Africa, a South African
charity where Tolkien was born, continues to show benefit. They are a charity dedicated to
setting up libraries in deprived areas of South Africa, and they opened their third rural library
in the Western Cape, equipped with new books, library staff, and technical support. Their
emphasis is on providing books in local languages, starting book clubs, and making the
libraries sustainable.
One of our main goals for the year was to reduce spending to sit comfortably within our
reserves. This has been achieved. We went down to one paid part-time staff member (an
administrator), with the chief executive moving on her suggestion to an unpaid volunteer role
from September. Outsourced work was reduced to producing the podcast only, also saving
money.